These thirty-three fragments provide a more than surprising approach to the pandemic. But there is this feeling of accuracy, of total adequacy with the subject. It ends with the observation of two forces at play according to the author. The first is that the pandemic is not democratic.
"It strengthens the powerful and defeats the poor ," he notes. "It does not collapse the stock market... it puts political power back in the spotlight. And we know that the latter is never stronger than when gambling data belarus it presents itself as a savior," warns the author. Faced with this authoritarian temptation, there would be this moment that allows humans to think the unthinkable, hopes the author of The Game, "not as a game of their imagination, but rather of their rationality ."
The ultimate mythical figure summoned by the one who created a university dedicated to storytelling in Turin is love. A myth for oneself, says Baricco, an impregnable fortress. It too operates through contagion. Love is viral in a way, so "who has loved, will know..." concludes Baricco. A way of saying: will know what to do in the face of the pandemic, since the current contagion refers to the ancestral morbid question posed by love.
And what about information in all this?
Zola, Baricco, like a crossroads.
How Financial Advisors Use Webinars to Nurture Leads
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