How to Use Predictive Analytics to Anticipate Lead Needs

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What is missing is daily justice, the restitution in images of many jurisdictions up to those of work for example. Precisely, what his successor wishes to do. With, the confirmation in passing that testimonies for history and pedagogy are once again preponderant in the argument in favor of the image. But there is much more…And this more is to be sought in the birth certificate of the image/justice couple .

Nuremberg, the birthplace of the image of justice



It was in Nuremberg on November 20, 1945. A historical gambling data poland circumstance of prime importance to grasp the stakes of filming a trial. A double stake, seeing and showing . Legally, it was a question of judging important leaders of the Third Reich, of assessing among other things their responsibility in the face of charges such as crimes against peace and conspiracy, war crimes. The new notion of crimes against humanity introduced at the time, being here limited in its definition, as in time. Genocide, the final solution, as it was then called before the word Shoah, was far from constituting the main part of the debates. The judgment ultimately only had a few pages devoted to the elimination of the Jews. However, the image was there. The courtroom exposed, made the horror heard despite the hubbub of the comings and goings in the courtroom, or the noise of the simultaneous translation. There was the screening on screen of films made by the cameramen reporters at the liberation of the camps. John Ford had coordinated part of these filmings, as well as those of the trial itself.



Of course, we are far from having filmed the entirety of the exchanges. But the reactions from the "dock of the accused" were observed, scrutinized, both in their posture and in their speeches, in the face of the questions, the films shown, the stories of the victims who described the unspeakable as best they could. Among them, the Frenchwoman Marie-Claude Vaillant-Couturier sums up well the primary function of Nuremberg. After having detailed almost clinically, the mechanics of the extermination at the microphone, the survivor of Auschwitz stood up. She had decided to stare at the accused, as she confides to Henri de Turenne in the film "The Nuremberg Trial" directed by Daniel Costelle.